Tag: female

  • Beyonce breaks record for most Grammy wins by female artist

    Beyonce breaks record for most Grammy wins by female artist

    She secured the record after winning Best R&B Performance for her hit Black Parade, a single celebrating Black culture and activism.

    Beyonce made Grammys history March 15 by becoming the winningest woman in the history of the music industry’s top awards gala, and its most decorated singer with 28 career wins.

    She secured the record after winning Best R&B Performance for her hit Black Parade, a single celebrating Black culture and activism that dropped in the wake of mass protests ignited by the death of George Floyd in police custody in the summer of 2020.

    “I am so honoured. I’m so excited. Thank you,” said the singer, who made a surprise showing at the gala she has skipped for the past several years, wearing a black leather mini dress.

    “As an artist, I believe it’s my job and all of our jobs to reflect the times. And it’s been such a difficult time,” Beyonce said, with her rapper husband Jay-Z looking on.

    “So I wanted to uplift, encourage, celebrate all of the beautiful Black queens and kings that continue to inspire me and inspire the whole world.”

    “It’s such a magical night, thank you so much,” Beyonce said, adding her gratitude to her children — after the eldest, Blue Ivy, won her first Grammy for her appearance in the music video “Brown Skin Girl.”

    “I’m so honorued to be your mommy, all of your mommies. Y’all are my babies. And I’m so proud of y’all. I love you so much, my rock,” she said, nodding to Jay-Z.

    It is a major moment for the 39-year-old Beyonce, whose repeated snubs in top award categories have raised eyebrows and stirred controversy.

    She is the most nominated female artist in Grammys history with 79, tied with Paul McCartney as the second most nominated act and only one behind husband Jay-Z and industry legend Quincy Jones.

    Prior to 2021, the megastar boasted 24 Grammy wins to her name — but notoriously lost Album of the Year in 2017 to British balladeer Adele, a controversial snub often cited as an example of the Recording Academy’s diversity issues.

    Critics praised Black Parade for Beyonce’s strong vocals as well as its lyrics that simultaneously condemn racism, issue a call for activism and pay homage to Black culture.

    Proceeds from the song benefit Beyonce’s Black Business Impact Fund, which supports Black-owned small businesses.

  • I did not find the woman portrayed in the video with my brother: Satish Jarkiholi

    I did not find the woman portrayed in the video with my brother: Satish Jarkiholi

    Karnataka Pradesh Congress Committee Working President Satish Jarkiholi denied reports that she had met the woman victim who was shown in a sex video that allegedly involved her brother Ramesh Jarkholi.

    “Some media outlets have written in articles that I had taken my helicopter to Nidagundi village in Bagalkot district to meet the woman. That is far from the truth. Such reports are unfounded.

    He said that he would welcome the formation of a special investigation team to investigate his brother’s allegations. “However, the SIT can only file a report regarding the issue. The real investigation starts only when the FIR is registered. The court can sentence an offender only after an FIR is lodged and proper investigation is done. “It is true that the family’s reputation has been affected by the scandal. But we still have the support of a lot of people. We are confident that if a proper investigation is done, the truth will be revealed. “

    ‘Welcome to Congress’

    He also said that the Congress will continue to welcome the leaders of other parties if it considers the ideology. “Youth leader Madhu Bangarappa has joined the Congress in Bengaluru. We will try to invite the leaders of other parties in the districts as well. ”

    He said that only after the announcement of the Election Commission, the Congress will select the candidate for the Belagavi Lok Sabha by-elections. “Our workers are concerned about the delay in announcing the dates. Officials say they have time to hold elections by the end of April. We will wait for the announcement, ”he said.

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  • Customs officials seized 2.41 kg gold worth 1.10 crore kg from female passenger at Mangaluru airport

    Customs officials seized 2.41 kg gold worth 1.10 crore kg from female passenger at Mangaluru airport

    The woman was stopped after arriving on an Air India flight from Dubai.

    Recently one of the biggest seizures of gold smuggling in Mangaluru, Customs officials on Thursday seized 2.41 kg of gold worth 1.10 crore from a female passenger at Mangaluru International Airport.

    In a release from customs, the accused’s name is Mohammad Ali Sameera from Kasargod in Kerala. He was stopped after arriving on an Air India flight from Dubai.

    The accused tried to smuggle gold in sanitary pads and socks by hiding them in both of their inner clothes. Foreign origin cigarettes violating COPTA rules were also seized from his possession.

    According to the release, the gold seizure team was led by Kapil Gade, Deputy Commissioner, Air Customs, Mangaluru, and Preeti Suma, Superintendent.

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  • Redefining the female gaze: ‘Celebrating the Spirit of Womanhood’, an online art exhibition offers a new perspective

    Redefining the female gaze: ‘Celebrating the Spirit of Womanhood’, an online art exhibition offers a new perspective

    Offering a fresh perspective to art, national and international artists pay an ode to the spirit of womanhood in a virtual art show

    Thirty-eight women artists from around the world — bound by their love for art, colour and expression — joined together for ‘Celebrating the Spirit of Womanhood’, an online art exhibition that was launched on Women’s Day. The exhibition, under the banner of La Aartemisia (a studio and virtual gallery), has been put together by Mumbai-based self-taught artist Sanjukta Arun.

    Sanjukta Arun

    “Art and women have had a strong connection since times immemorial. Be it a simple or complicated form of art, women have an innate sense of creativity that helps them redefine everything. They give a new dimension to how art is perceived, conceived and appreciated the world over. On the flip side though, women artists have had their share of struggles and haven’t been duly recognised for the work they do. It is time to hold hands and uplift each other not only in the art sphere but in every walk of life,” says Sanjukta.

    The virtual exhibition, comprising national and international artists, offers a new perspective to women in art. The canvas of these artists is wide with space for all mediums, including a rice paper used by Japanese artist Kaoru Cecilia.

    ‘Celebrating the Spirit of Womanhood’, an online art exhibition offers a new perspective

    The show is the culmination of Sanjukta’s four-months of planning. “These women are professionals and not hobby artists…they have their signature style and have a different outlook on art and womanhood in totality. The intent was to celebrate womanhood in different colours,” she adds.

    Every artist has presented six of their works under various categories. Nature is another common theme represented in different forms including one by Sanjukta, in an abstract fashion.

    Communication was still an issue as Colombian, South Korean and Japanese artists could not understand English. They, however, used Google Translate. “For four months, rigorous efforts went into getting them what I wanted but in the end, we have succeeded,” she says with relief.

    Having been in the field for more than 27 years, Sanjukta has had 20 solo art shows till now. She curates only specific exhibitions like Jyoti Chowdhury’s show that was held in Kolkata last February. Wife of (late) music composer Salil Chowdhury, Jyoti held her début show at 92. “Holding an art show at 92 was unheard of. It was a celebration of a milestone for me and her. also. Since she had never exhibited her works, we had to dig out all her old works and she has such a good repertoire. I felt happy to see a lady who was in the shadows get recognition at least now.”

    The virtual exhibition-cum-sale is on till March 22 and will have more than 200 works on display.

  • Aahana Kumra on playing a female detective with unusual abilities in her first podcast

    Aahana Kumra on playing a female detective with unusual abilities in her first podcast

    The actor is joined by producer Mantra Mugdh, and the duo chat about creating the chilling paranormal world’ I Hear You’

    For years, Aahana Kumra faced a lot of rejection when she auditioned for voice-acting, so the actor steered clear of such projects. Then radio personality and producer Mantra Mugdh reached out to her with a possible collaboration. Shaking her head during a video call, Aahana recalls, “I went over, looking forward to a casual chat, but he suddenly put me straight into the recording room!” Mantra, who believes Aahana has a great voice, explained that the project was like an audio web-series. After a little direction here and there from Mantra, Aahana was ready to start podcasting for the paranormal-thriller podcast I Hear You.

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    The podcast, which is available in both English and Hindi, is currently in its first season, with one episode (made of two parts) per week, for 13 weeks, says Mantra, and new episodes are released every Wednesday.

    To make the most of the sound-driven experience of a podcast, it seemed right to have the main character, Detective Priyamvada, a clairaudient. This opens up the plotline possibilities, points out Mantra, since “fiction thrillers are the flavour of the season”. The trailer for the show touches upon the female detective’s origin story: she gets into an accident and this awakens clairaudient powers, which helps her solve crimes in unusual ways.

    Given this is Aahana’s first foray into the audio space (we have seen her in Lipstick Under My Burkha, The Accidental Prime Minister and Khuda Haafiz), getting into the skin of the character required a different approach. “With the closed environment of the studio, your imagination can run wild when it is just audio,” Aahana explains, “it is such a new world and space for me. I have the best in the business, Mantra, to hold my hand through it. He understands where I come from. As actors, we think we are good at performing in front of a camera, but we do not think of other mediums.”

    Liberating medium

    The power of the microphone was leveraged big time for I Hear You, say Aahana and Mantra. “The first time Mantra put me in front of the microphone, it was very overwhelming because it wasn’t just dubbing. I had to imagine spaces and objects which you can act out in front of a camera,” says Aahana. “Mantra informed me about the technical aspects of using a mic such as what happens when you lean in or go further back. With the first episodes being very emotional as Priyamvada is trying to figure out why she’s hearing these voices as she resumes her job, so understanding the exact space in the first two episodes was crucial.”

    To create the immersive headspace of paranormal activity in the real world, infusing environmental noises for I Hear You helps enhance the narrative. “That’s one element I spend a lot of time with,” agrees Mantra, who looks back on his early years visiting Foley Studios to learn about these types of sound effects. “There was no Internet back then when you could look up these sounds, you had to make them yourself. For example, typing bricks to your hands to make footstep noises, or using aluminium sheets to create thunderstorm sounds. With technology as well as my theatre experience, I have learned a lot about binaural effects to create three-dimensional sounds, so you really feel it is happening around you.” Mantra points out there are scenes in the podcasts of no dialogue but actually just Detective Priyamvada breathing and experiencing unusual things – voices, in particular – happening around her in a given location.

    Speaking of theatre and its very hands-on approach to any sort of acting, Mantra and Aahana were keen to bring on theatre actors to guest star in the podcast. “I’m part of a few theatre groups, and these actors always want to venture into different mediums, because they want to see what they can do with different voices,” says Aahana.

    “Aahana is unofficially our casting director (laughs),” jokes Mantra, “because after doing one episode, she goes and tells all her friends. Then she comes the next day with a couple of friends who want to be a part of it. I’ve seen a lot of television and film actors end up being very uncomfortable in front of a microphone; this is where they find out the power of dialogue and projection. They say ‘you’re sorted if the camera loves you,’ but here, if you’re friends with the microphone, that’s special.”

    Are Mantra and Aahana open to expanding to a television medium? Mantra simply concludes that the power of listening would not get the same desired effect if a visual component was present. The ‘limitation’ of audio podcasts is actually liberating and, ultimately, can propel new ways of storytelling.

  • We need more female leaders in gaming, says Indian game designer Poornima Seetharaman

    We need more female leaders in gaming, says Indian game designer Poornima Seetharaman

    Poornima Seetharaman is fast becoming every gamer girl’s role model owing to her perseverance and professionalism in the entertainment industry

    While Poornima Seetharaman grew up in a tiny village in Palakkad, Kerala, her father was working in the city. The village’s orthodox outlook reflected in Poornima, until her father gave her a a pair of jeans.

    As soon as she put them on, other girls in the village followed suit. It is a memory the now 36-year-old Poornima continues to be empowered by, and every bit of pride is felt over a call with MetroPlus for International Women’s Day (March 8) and Women’s History Month.

    The lead game designer at Zynga Game Network first fell in love with video games through Dungeons And Dragons, which catapulted her from gamer to programmer and designer. “Whatever I missed out on or liked, I wanted to create.” Fast forward 15 years, and her journey has seen some remarkable turning points: in 2020, she was the first Indian inducted into the Women in Games — Global Hall of Fame, was one of the winners of the Special Recognition Award 2020, and was one of the runners-up of Mentor of the Year 2020 by WomenTech Network.

    There is still a novelty of being a “female game designer”. Poornima, however, tunes out these reactions, “It is beyond being old or annoying; it has become background noise. Some people do ask about it from a point of genuine curiosity. And, of course, there are the people who continue to mock you – even after 15 years!”

    In education

    Higher education sees more women signing up for game design as a full-time course — a departure from its former status as a casual elective as an extra credit. Poornima, who happens to be a visiting faculty at National Institute of Design, explains, “Families and parents should also be made aware of the career growth that can come in game development. Like acting or fashion, there will be some hesitation to invest in education but we need to have more awareness studies for parents, too.”

    Poornima Seetharaman with her induction award for ‘Women in Games — Global Hall of Fame’

    Poornima Seetharaman with her induction award for ‘Women in Games — Global Hall of Fame’
     

    Female gamers and designers alike are now able to challenge the notion that women are not competitive, prefering cooperation within their game-play. Poornima believes in a “broad-minded spectrum of player types.” It varies from player to player, she says, as well as game experience. For example, Tetris – one of the most casual games out there – has world championships. Poornima insists, “Women can get competitive, let everyone play what they want. This elitism in gaming is annoying.”

    Poornima is grateful for her journey so far. She started as a game programmer and progressed to game designer in the same company. In one of her job interviews, she was asked about her love for Warcraft III but the interviewers were not convinced. “They asked me to write the story of Warcraft to make sure I was actually a fan and a gamer!” A man would never have been set a similar task. “It happens even after experience.”

    It’s all about drive

    Gamers like to feel represented not just in game-play but in the creator level too. Is there anything audiences can do to encourage more diversity within the gaming company hires? Poornima says it should start at the hiring level and the company’s perspective on equality. “Many companies have diversity initiatives, but in India, it is hard to find a female game designer at certain levels. We need more female leaders in gaming. There is a shortage in the resource pool and a general lack of talent in the country since many feel that the opportunities are greater abroad,” she states. “Compared to 15 years ago, though, there has been great change – but the growth has not been as exponential as I hoped, and it has not been linear either.”

    This drives Poornima to do more. “I have had to work twice as hard than a man to get a promotion.” She looks back on a time she was employed in her early years and her new colleagues assumed she was merely a diversity hire. “After working with me for a few months, one of the developers came up to me and said, ‘I’m really sorry but when you were hired, I thought you were hired just for diversity. They had picked you over one of my better friends who is a great game designer. But having worked with you, I realise it is your skill and not your gender.’ So that was a turning point; when someone takes courage and admits that and also makes a change.” She also admits, she will not hire a woman just for the sake of gender, but she points out that there should be a potential for scaling up that person’s skillset. She adds, “I said this at a panel and said I don’t want to engage in tokenism. But we must also understand that there needs to be some equity to attain true equality. Finding the right balance is critical.”

    Never back down

    Poornima does not back down from tough talk. At a gaming conference where she was part of a panel on women in video gaming, when the topic veered towards misogyny, Poornima says some panelists were hesitant to talk about their experiences. “I refused to stay quiet. Of course, we have faced gender inequalities. For the women attendees in the audiences who are new in the industry or are even gamers, if they do not hear about our experiences, they may wonder if they are the ones doing something wrong; I don’t want that. Having said that, it is because of good men, that I continue to be here and have seen this growth. We have to talk about the positives and negatives”

    Diversity at these conversations is not just gender though — one can look at a lot of gaming panels and see mainly white women. Women of colour in these events are very few, agrees Poornima, who recognises the efforts made by some women leaders. “A lot of the women ambassadors often start communities and funding channels to help game developers from minority communities to scale up. Diversity does come from socio-economic backgrounds and a lot of them cannot afford a gaming system to even get started. We are missing out on incredible talent if we do not create these pools, and get these people seen, trained and funded!”

    Without these conversations, the pattern would continue — men playing games created for and by men. “If we are able to make a change in a single thought process, it is better than none,” she points out, keeping in mind there is a world of progress ahead for the gaming industry.

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  • IIT Madras raised $ 2 million to nurture female faculty, students, researchers

    IIT Madras raised $ 2 million to nurture female faculty, students, researchers

    Under the ‘Women Leading IITM’ program, a grant will be provided each year to accelerate the careers of women technologists

    The Indian Institute of Technology – Madras (IIT-M) plans to arrange $ 2 million by the end of the year to recruit, develop and nurture projects for female faculty, researchers and students.

    The ‘Women Leading IITM’ (WLI) program will receive the inaugural grant of International Women’s Day on Monday. The institute proposes to raise the amount through its alumni and CSR grants.

    Every year a grant will be provided to accelerate the careers of women technologists. The Endowment Fund will provide annual grants to support programs raised by female students, faculty and researchers. In the first year, the endowment fund aims to give ₹ 70 lakh to various initiatives.

    Corporate organizations and alumni who wish to contribute can do so through: https://joyofgiving.alumni.iitm.ac.in/endowmens/other/women-leading-iitm-endowment

    The institute aims to increase the percentage of female faculty in assistant professorships to 20%: it is currently 15% and aims to generate 30% of all faculties from female candidates. Grantees are expected to graduate in leadership roles within the institution and to be the next generation of ambassadors to enable a gender-balanced institution. The institute also plans to institute an award for women faculty in leadership.

    IIT-M director Bhaskar Ramamurthy said that the institute has made good progress in the last several years in increasing the student population from UG level to doctoral programs. “We are doing everything possible to close the gap in terms of faculty. The WLI program will be a powerful catalyst to enable IIT Madras to reduce the barriers faced by female students, faculty and staff.

    According to the institute, in 2020, women constituted 18% of students at the undergraduate level. In 2017 it was 8%. Likewise the percentage of Ph.D. Students are currently up 22.5% to 30% in 2017. About 30 programs have been implemented to encourage women in STEM.

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