Tag: break

  • Meta-Owned Instagram Reportedly Testing ‘Take a Break’ Feature for Better Time Management

    San Francisco: Instagram has started testing a new feature called ‘Take a Break’ to encourage people to take regular breaks from using the Meta-owned photo-sharing app. According to Adam Mosseri, Head of Instagram, the long-awaited ‘Take a Break’ feature will remind users when they have spent a long time on the platform. Instagram is Allowing Users to Publicly Participate in Stories for the First Time.

    “It does what you think it does. If you opt in, it encourages you to take a break from Instagram after you spend a certain amount of time on the app; 10, 20, or 30 minutes,” Mosseri said in a video posted to Twitter. ‘Take a Break’ is expected to be more widely available in December, Mosseri added.

    The new feature comes amid increased criticism that Instagram is harmful to its teen users. Recently, American whistleblower Frances Haugen revealed how popular social media apps can adversely affect young people’s mental health.

    Haugen said Facebook knows that kids in their most vulnerable moments are harmed by its systems. She said Facebook has figured out that around the age of 14, right before high school, is when kids are most likely to get sucked into Instagram’s emotional roller-coaster. Meanwhile, Facebook’s Vice President of global affairs Nick Clegg, said that the photo-sharing platform will introduce new features to remove bad content.

    “We’re going to introduce something which I think will make a considerable difference, which is where our systems see that a teenager is looking at the same content over and over again, and it’s content which may not be conducive to their well-being, we will nudge them to look at other content,” Clegg said.

    (The above story first appeared on Morning Tidings on Nov 12, 2021 08:49 AM IST. For more news and updates on politics, world, sports, entertainment and lifestyle, log on to our website morningtidings.com).

  • ‘Ajeeb Daastaans’ review: Netflix anthology fails to break new ground, but is an earnest attempt

    ‘Ajeeb Daastaans’ review: Netflix anthology fails to break new ground, but is an earnest attempt

    The Karan Johar-produced film does best when its ensemble cast rises to the occasion, emoting authentically on screen, the frustrations of their characters

    For an anthology aiming to juxtapose a series of contrasting stories in a bid to create a thematically cohesive narrative, Netflix’s Ajeeb Daastaans is earnest, if not flawless. Essentially a heady concoction of bizarre tales as told by four different filmmakers, the film blends unique cinematic styles with awkward social scenarios, giving rise to a few genuinely engaging moments.

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    With a short feature each from directors Shashank Khaitan, Raj Mehta, Neeraj Ghaywan and Kayoze Irani, this Karan Johar-backed production meticulously actualises on screen, a world that is similar to our own that is still deceptively surreal, masking the film’s morally-charged rhetoric with authentic cinematic conflict.

    Its titular figures, despite hailing from different walks of Indian life, are united by their resentment at having to endure a repressive social order. Subsequently, faced with a complex array of predicaments, they are forced to seek an escape from their miseries, often leading to strange consequences.

    Ajeeb Daastaans does best when its ensemble cast, headed by the likes of Konkona Sen Sharma, Nushr at Bharucha and Jaideep Ahlawat among others, rises to the occasion, emoting authentically on screen, the frustrations of their characters.

    Fatima Sana Shaikh as the sensuous yet unsatiated Lipakshi, complements adequately the magnetic screen presence of screen veteran Ahlwat. Manav Kaul’s portrayal of a mute man hopelessly in love with Shefali Shah’s Natasha is endearing, laying the groundwork for a proper tear-jerker.

    Ajeeb Daastaans

    • Directors: Shashank Khaitan, Raj Mehta, Neeraj Ghaywan, Kayoze Irani
    • Writers: Neeraj Ghaywan, Shashank Khaitan, Uzma Khan, Sumit Saxena
    • Cast: Jaideep Ahlawat, Konkona Sen Sharma, Aditi Rao Hydari, Nushrat Bharucha, Fatima Sana Shaikh
    • Duration: 2 hours 20 mins

    Then there is Konkona Sen Sharma, who stamps her authority on-screen with an unconventional yet prolific portrayal of the steadfast Bharti, who urges others to accept their reality while being unable to accept her own. Aditi Rao Hydari delivers an equally spirited performance, carving out a truly relatable character whom you would love to hate.

    Separately, Abhishek Banerjee and Nusrat Barucha’s chemistry along with child actor Inayat Verma’s serious acting chops, bring to life one of the most interesting stories of the anthology.

    To top it off, the dialogues have been kept crisp and devoid of unnecessary melodrama, aiding the actors to etch out the most authentic versions of their characters, which in turn has also helped the creators to successfully explore the conundrums of regular Indian existence.

    Complex themes such as sexuality and casteism are explored quite boldly, with the film trying to actively comment on India’s class divides and the atrocities which stem from them. In doing so, it refrains from being preachy, instead opting for a recreation of its character’s surroundings which is rooted in reality, with the camera as an impartial observer.

    And yet, something remains amiss. The screenplay comes across as formulaic, hell-bent on delivering major twists at the end, making the narrative structure too predictable for an anthology film.

    Additionally, the music is comically inadequate, trying too hard be to stay abreast with the latest pop culture trends. Instead, it ends up wholeheartedly exposing its inability to build on the stunning visuals on offer.

    Also, some stories are presented with more elan than their peers. This results in a contrast in quality, failing to draw in the regular viewer for the finer moments.

    Take for instance, Shashank Khaitan’s short Majnu, which is engaging, but is riddled with flaws in its character arcs and plot points. It is in sharp contrast with Raj Mehta’s Khilauna which operates at a brisk pace and concludes on a blood-curdling note.

    All in all, Ajeeb Daastaans offers a moderately engaging experience if compared with other shows of a similar ilk. From the successful Lust Stories (2018) to the universally-panned Ghost Stories (2020), Hindi anthology cinema is coming of age, exploring previously taboo subjects and indulging in experimentation like never before.

    What essentially started with Bombay Talkies (2013) has evolved into something more adaptable to the present times while still retaining some of its predecessor’s charm. The only thing that is missing is the intent to create something uniquely unconventional, rather than an upgrade on what we have already seen.

    Ajeeb Daastaans is currently streaming on Netflix

     

  • When politicians break up in public during the election season

    When politicians break up in public during the election season

    There are few examples of the breakdown of political leaders and elected representatives before the public in closed-door meetings and assembly elections held in Tamil Nadu and Puducherry. Such public display of emotions is not uncommon.

    “Why haven’t I been given a seat?” What mistake have I made? Former Minister and MLA of Perundurai AIADMK Thoppu N. He recently broke Venkatachalam in front of the media. However, he entered the assembly for the third consecutive time in the hope of filing his nomination as an independent. He was later expelled from the party.

    Paramanwari Murugan, MLA from Mananallur from AIADMK also rebelled for not changing the name of the party. Instead, when Chief Minister Edappadi. K. When Palaniswami was en route to stop an expedition, he approached his car, held his hand and refused a ticket, as the cadre had an eye on the score. He swore that he would remain loyal to the AIADMK, while Mr. Palaniswami consoled him.

    Not only the ticket aspirants, the leaders also got emotional. While the DMK was playing hardball during the seat-sharing talks, the voice of Tamil Nadu Congress Committee President KS Alagiri resonated with emotion in a closed-door meeting as he narrated the manner in which the party officials Was being handled

    Some candidates became emotional while campaigning for votes. Hindu religious and charitable settlement minister Sevavoor Ramachandran recently broke into a Vanniyar-dominated village by canceling votes, and was comforted by the PMK cadre, who assured him of support from the community.

    Then there were those who became emotional by remembering personal memories, such as the BJP’s Thousand Lights candidate, Khushboo, while reminiscing about her mother.

    Commenting on those who were denied emotional by the party ticket, retired professor of Gandhigram Rural Institute, G.K. [some] Political aspirants get emotional when deprived of opportunity [to contest an election] Because they are connected with power and office. “

    Professor Sandeep Shastri, a political analyst, said that one way to influence the leadership of the party with the aim of changing its decision can be emotional. He said, ‘Emotional stir can also occur because the aspirant must have invested a lot in getting a party ticket. It is also a direct result of the absence of democracy within a party. There should be transparency in the selection of candidates so that such incidents do not recur. “

    Puducherry also witnessed such incidents. Former Minister of Public Works Department A. Namasivayam, who switched sides from the BJP and the AINRC had to leave his constituency of Villanur, was broken and comforted by his supporters before he shifted to Mannadipet.

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  • When politicians break up in public

    When politicians break up in public

    The run-up to the current assembly elections in Tamil Nadu and Puducherry has broken quite a few political leaders and elected representatives, both in closed-door meetings and in public. Such public display of emotions is not uncommon.

    “Why haven’t I been given a seat?” What mistake have I made? I Thoppu N., former Minister and Perundurai AIADMK MLA. Was loyal to Venkatachalam, as he had recently broken up in front of the media. However, he filed his nomination as an independent candidate, expecting him to directly enter the assembly for a third term. He was expelled by the party leadership on Friday.

    Paramanwari Murugan, MLA from Manchanallur, also from AIADMK, though he did not rebel against the party. Instead, when Chief Minister Edappadi. K. When Palaniswami was en route for an expedition point, he went to his car, grabbed his hand and wept when he was denied a ticket, as seen on scores of cadres. He swore that he would remain loyal to the AIADMK, while Mr. Palaniswami consoled him.

    Not only the ticket aspirants, the leaders also became emotional. When the DMK played a hard ball during the seat sharing, Tamil Nadu Congress Committee President KS Alagiri joked with emotion at a closed-door meeting as he narrated the manner of interaction to party officials.

    Some candidates get emotional while campaigning to win over voters. Hindu religious and charitable settlement minister Sevvoor Ramachandran recently broke into a Vanniyar-dominated village during a vote and was comforted by PMK cadres who assured him of support from the community.

    There are others who remember personal memories of their mother, such as Khushboo, the candidate of BJP Thousand Lights.

    Commenting on the emotionally denied tickets, retired professor of Gandhigram Rural Institute G. Palanithurai

    Retired Professor of Gandhigram. Palanithurai felt that this had become a new trend [some] Political aspirants get emotional when deprived of opportunity [to contest] Because they are associated with power and office. “

    Political Analyst Pro. Sandeep Shastri felt that an emotional turn could be a way to change the leadership of the party for a change in judgment.

    He said, ‘Emotional stir can also happen because the candidate desirous of getting tickets could have invested. It is also a direct result of the absence of democracy within a party. There should be transparency in the selection of candidates so that such incidents do not occur.

    Some emotional scenes were also seen in neighboring Puducherry. Former PWD Minister A. Namassivam, who crossed over to BJP, and fielded the Mannadipet constituency for the first time after the AINRC had to abandon his home constituency Villianur. He broke down in front of his supporters to participate in his competition in Mannadipet and his supporters consoled him.

  • Twitter asks the public how it should treat world leaders who break the rules

    Twitter asks the public how it should treat world leaders who break the rules

    The company also said that it is consulting several human rights experts, academics and civil society organizations around the world to revise its policy framework.

    (For a quick snapshot of the top 5 tech stories, subscribe to our today’s Cash Newsletter. Click here to subscribe for free.)

    Twitter Inc. on Thursday said it would seek public input about whether leaders and government officials should be subject to the same rules as other users on the platform. This will help Twitter understand what action should be taken against world leaders who break the rules.

    Following the aggressive tweets of Donald Trump in the past, micro-blogging platforms are being investigated specifically for handling high-profile accounts.

    Following this criticism, Twitter clarified last year that “the accounts of world leaders are not entirely above policies”. In January this year, Twitter said it had permanently suspended Trump’s account due to the risk of further inciting violence.

    The company will call for responses to a public survey starting March 19, and will be available in 14 languages ​​including English, Hindi, Urdu, Japanese and French. The survey will be close to 5pm PT (Pacific Time) on April 12, Twitter said in a statement.

    Also read Facebook and Twitter crackdown around Capitol siege is too low, too late

    The company also said that it is consulting several human rights experts, academics and civil society organizations around the world to revise its policy framework.

    Twitter has long been following the practice of labeling tweets that may contain sensitive media content or violate Twitter rules. In the past year, the platform has also introduced labels to curb misleading tweets around COVID-19.

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  • Tamil Nadu Assembly Election |  Did not want to break alliance on some seats: Thirumavalavan

    Tamil Nadu Assembly Election | Did not want to break alliance on some seats: Thirumavalavan

    Mr. Thirumavalavan told Morning Tidings that it was important to keep the alliance intact and be part of the winning coalition.

    The founder of VCK Thole. Thirumavalavan has been at the forefront of organizing several protests in various issues of relevance in this state – NEET, CAA-NRC-NPR, Farm Law, Manusmriti – and in the last five years in shaping the BJP’s ruling AIADMK and Tamil Nadu ideological opposition . . A few days ago, Mr. Thirumavalavan formally committed to stay in the DMK-led Secular Progressive Alliance and the six assembly constituencies were allotted. While his party cadre has expressed displeasure over the DMK’s decision to allot half the seats originally sought by the VCK, Mr. Thirumavalavan told Morning Tidings that it was important to keep the alliance intact and be part of the winning coalition. Excerpts from the interview:

    VCK has played a strong role in shaping the ideological opposition of BJP-AIADMK in the state. Nevertheless, DMK has allocated only 6 assembly seats. Are you happy with it

    I am glad that the alliance remains intact. For five years, we created a perception among the people that it is not just an alliance for elections, but also on an ideological platform. After the 2016 state assembly elections, we have protested together on a range of issues – NEET, hydrocarbons, environmental issues, for federal rights, Eelam Tamil, Manusmriti and Farm Law. I did not want to break the alliance in terms of a few seats because it would be useless in all our efforts in the last five years.

    There is a view that the seats allotted to your party are not in line with your efforts in the last five years to create a narrative against the AIADMK and the BJP…

    There is no need for DMK, with whom we have an electoral alliance, which we have done in the interest of the welfare of the people. The right honor will be to gain respect from the people for our work. The DMK argued that they did not want their next government to be a minority government and it should not be subjected to oppression from the BJP. We see logic in his argument. While they must accommodate coalition partners, they must not only win enough seats to form a government, but must also have the strength to secure it. He has decided to contest 180 seats and this is where I am convinced by his argument. Apart from this, it is also a victorious coalition – AIADMK is facing 10 years of anti-incumbency and is also facing a confrontation due to alliance with BJP. There is a difference between contesting 12 seats in a losing coalition and 6 seats in a winning coalition.

    Although PMK and VCK are considered as representatives of the two major communities in Tamil Nadu, many of your critics have stated that while the PMK sealed the alliance with the AIADMK, they passed a law that passed the MBC quota. The inner guarantees internal reservations for the vanisars, VCK only plays a minor role when it comes to electoral politics. Why?

    There is no need to compare the two parties – PMK and VCK. The PMK is openly following caste-based politics. If a position is vacant for a judge in the High Court or the Supreme Court, they say why a Vanniyar cannot be made a judge. His politics focuses on a single caste. It is more about using caste for electoral politics than ensuring the welfare of the people they represent. According to him, Vanniyar has 20% of the population. But, I think they have not been able to go beyond 6% in terms of vote share. Therefore, 14–16% of the Vanniyar population are voting for other parties.

    Since 2009, the party has been facing a downfall. In the 2009 Lok Sabha elections, they lost all 7 seats. In the 2011 state assembly elections, he contested 30 seats as part of the DMK alliance and won only 3.. After 2011, he clearly pushed forward caste politics – against caste honor and love marriage – and strengthened his caste. In 2016, he introduced a candidate (Anbumani Ramadoss) as the chief ministerial candidate with the slogan ‘Mataram, Munnetram’, but none could win the seat.

    Based on the 1931 census, 10.5% internal reservation has been fixed. What is the Vanniyar population today after 90 years? What is this reservation based on? What are the conclusions of the Kulasekaran committee in this regard? It is a well-planned, orchestral move by AIADMK and PMK. The MBC is divided into three groups without their consent – dividing the unity of MBC and establishing division is the BJP’s agenda. They do not want the Scheduled Castes and Other Backward Classes communities to form as one community. Dr. Ramdas’s demand has helped the BJP in its agenda. Now, Mukkulathor, Yadav and other communities are opposing it. Christian Vellar Pervai Sangam has already registered a case against the move. While everyone is entitled to social justice, this should not be the result of creating (more) division in society.

    VCK has earlier demanded that reservation for SC should be increased from 18% to 21%. Did you make any demand to the DMK before finalizing the electoral alliance?

    We have dr There is no demand like Ramdas. We cannot make such a demand in front of the opposition party. If the coalition wins, we will demand that a caste population census be done and ensure that the reservation is restructured accordingly.

    The DMK and Congress are struggling to end their seat-sharing talks. It has been said that the Congress has been greatly weakened in India and Tamil Nadu. According to you, what should be the strategy of the Congress now?

    The Congress should ideologically oppose the BJP. They have a leadership crisis and are unable to highlight the BJP and its policies for the common people of India. They feel that if they oppose the BJP and its policies, they will be portrayed as opposing Hindus and Hinduism. They think they will lose the Hindu vote and are reluctant to do so. They feel that if they are anti-Hindutva, it will not be treated as anti-BJP, but instead, as if they are anti-Hindu. They are confused. And the same situation exists for other parties.

    BJP is constantly showing that they are the protectors of Hindus in India. Congress is losing to them. Even if they are secular, the only way to establish secularism is to ideologically oppose the BJP and the RSS. They can highlight how they are capitalist, anti-social justice, anti-worker, anti-federalist and anti-peasant. They are not doing it properly. His protests and criticism are mainly defensive.

    A longstanding criticism against mainstream parties like DMK, AIADMK, Congress and BJP is that Dalit candidates are limited to reserved constituencies only. Will VCK field Dalit candidates in general constituencies. If yes, for how much?

    We have asked for 1 or 2 general constituencies out of the 6 seats allotted to us. We do not have enough seats to field Dalit candidates. In this election, we will not do this. We will field non-Dalits only in general constituencies.

    What do you think is the future of the Third Front in Tamil Nadu, now headed by Kamal Haasan? He also criticized the DMK for allocating only 6 seats to VCK and said ‘my younger brother Thirumavalavan should come here’.

    If a third front is formed just before the election, it will not get the support of the people. A front has to emerge and must contest two or three consecutive elections. Only such third front will get the support of the people. If political parties come together just before the election and claim that they are the alternative, then people do not accept it.

    Secondly, any election becomes a bipolar competition here. If AIADMK, its opponents, DMK, become the main antagonist. People also do not consider other parties important. The anti-incumbent votes were also split on the Third Front. Despite the electorate defeating a party, they are unable to defeat them because a third front will split the votes.

    Actor Kamal Haasan is facing his first assembly election (after contesting Lok Sabha elections). Only now a third front is being formed. It is highly unlikely to emerge as a credible alternative and it will only end the split votes. I am not referring to this as criticism, but this is the reality. I can only thank Kamal Haasan, not for criticizing the DMK for not giving us enough seats, but for having a favorable view on VCK that we are more qualified.

    What are the challenges in a VCK willing to lead an alliance despite representing such a large population?

    There are many factors – having the financial strength to lead an alliance. We have been in politics for 20 years, but we are still a party in the field of development. Although there is influence among us, we do not have a proven vote bank. When we contest a small number of seats, our vote bank is small. While we have faced some elections and have been in politics for 20 years, we have no way to lead the coalition.

    Some of your critics say that you probably lack ambition …

    I have ambitions, but I also need to be practical. I cannot make misconceptions or give false hope to my supporters. If someone starts a Dalit or Muslim party, we are being called communal. If I have to merge into the mainstream, I have to struggle until everyone accepts me. It is not that I do not aspire to become Chief Minister or that working class people do not have the capacity to lead. I am not underestimating them. Political recognition is not just electoral recognition. If we win 7 assembly seats in the coalition, we will get a symbol. The real recognition is when every (or at least) section of society accepts my leadership without being marginalized.

    Your supporters say that if you strengthen enough Dalit vote bank then you will be considered a serious political force?

    Although VCK is a mainstream political party, the first thing we facilitated is Dalit consolidation. Because of that we have access. It has taken us 20 years to reach here. It is a long struggle. This should continue even after me.

    .

  • How Disney film ‘Raya and the Last Dragon’ is set to “break barriers”

    How Disney film ‘Raya and the Last Dragon’ is set to “break barriers”

    At a virtual press conference for Disney’s ‘Raya and the Last Dragon’, the cast and makers chat about the impact the project will have on young Southeast Asians and on popular culture

    In 2018, when Southeast Asia’s first Disney film since Mulan was announced as ‘Dragon Empire’, social media expressed equal measures of speculation and enthusiasm. However, during the 2019 D23 Expo by Disney, Raya and the Last Dragon was officially announced, and Sutheast Asia went into even more of a frenzy when Awkwafina and Kelly Marie Tran were announced as lead actors.

    With the film finally set to release on March 5 in theatres, the excitement around the virtual press conference is palpable. On behalf of the film’s crew are co-directors Carlos López Estrada and Don Hall, writers Qui Nguyen and Adele Lim, and producer Osnat Shurer. They were joined by actors Kelly (Raya), Awkwafina (Sisu), Daniel Dae Kim (Chief Benja), Thalia Tran (Little Noi) and Izaac Wang (Boun).

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    When Awkwafina heard that Kelly was set to play Raya, and that Crazy Rich Asians screenwriter Adele Lim was also on board, she knew that it would be a pretty special project. She adds, “In the process, you see little sketches here and there – not a lot of the stuff. I thought it was a live-action because the water and the rain were insane; visually it’s so stunning.”

    Kelly chimes in, revering the way the film will be “breaking a barrier, “I grew up at least with the sort of narrow perception of what a hero looks like or what a hero spoke like, and to be part of something that’s changing that feels powerful.”

    Still of TukTuk (Andy Tudyk) and Raya (Kelly Marie Tran) in ‘Raya and the Last Dragon’

    Still of TukTuk (Andy Tudyk) and Raya (Kelly Marie Tran) in ‘Raya and the Last Dragon’
     
    | Photo Credit:
    Disney

    Doing it for the kids

    Taking on a leadership role as Chief Benja in his community, Kim elaborates on inclusivity for a new generation of audiences, “For children in particular, the universe that Disney creates is one that many of them see as a totality of the world while they’re children. When you think of Disney movies, they helped define our childhood; now Southeast Asians – and Asians in general – will now be a part of those kids’ experiences. It does huge things for issues of representation and role-modelling and the future, it now becomes inclusive of that group.”

    Looking forward to how popular culture will be impacted by Raya and the Last Dragon, Nguyen talks about the representation in form of clothing, festivals and even architecture, stating, “that nuance is kind of special.” He recalls asking his child about his favourite Asian hero and there being no response to this. But Raya and the Last Dragon could change this, he says. “In this moment in time, they will always have Raya, Sisu, Namaari (played by Gemma Chan), Boun, Noi, Tong (played by Benedict Wong), and Benja, who will always be part of their self-esteem fabric that will shape them forever.”

    A still of young Raya and Chieg Benja (Daniel Dae Kim) in ‘Raya and the Last Dragon’

    A still of young Raya and Chieg Benja (Daniel Dae Kim) in ‘Raya and the Last Dragon’  
    | Photo Credit:
    Disney

    Young actor Thalia Tran is thrilled to be part of this new generation of “characters who look just like us.” Set to play Noi, a toddler with a bit of a trickster in her, she is fond of the character’s resemblance to her little sister mainly because of “her good heart.” She continues, “We can see our faces reflected on the screens and hear our voices reflected on the screens and our stories – and know that they matter. To have people who are willing to spend time to create this art around our cultures is to know that we don’t have to be ashamed of them; we don’t have to hide that part of ourselves that we don’t have to just conform to what is considered the typical idea of a princess or what is considered the idea of a hero. We can just be true to ourselves and still fit that category.” Another budding star in the film is Izaac Wang. He plays Boun, a street-savvy entrepreneur who is “energetic but also an adult in a kid’s body… but still a kid-at-heart.” With this in mind, Wang had a great time conjuring up Boun’s “surfer dude” voice.

    Technical difficulties?

    But the voice-acting journey was not always smooth sailing for everyone. Given much of the recording happened during the pandemic, the actors had to improvise and create recording studios at home. While he was happy to ‘act’ while in his homely shorts and T-shirt, he realised being his “own construction crew and tech team” was not as easy as it ended up being. “There was a learning curve [laughs] because one of the first sessions I ever did from home was going really well. I was like ‘this recording at home stuff is kind of fun.’ 30 minutes later, I realised that everything I just recorded had been lost and I didn’t set things properly. Don and Carlos, and Osnat will tell you that was the best stuff I did.”

    At this point, the directors and producer assure that Kim was able to replicate that. Co-director Estrada recounts, “Don, you’re one of the most optimistic people I’ve met, but that day when we heard that we lost Daniel’s recording, I remember your face. I’ve never seen you so hopeless. It was the best recording session, Daniel; it was the most important Benja scenes, and Daniel just poured his heart into these lines!”

    A still of the Kumandra kingdom in ‘Raya and the Last Dragon’

    A still of the Kumandra kingdom in ‘Raya and the Last Dragon’  
    | Photo Credit:
    Disney

    Tapping into sub-cultures, respectfully

    The actors and the creators agree that primary research for this film had to be very specifically done – in the form of pre-production trips to the different countries to connect with the cultures. “This was the theme of the film,” says Academy Award-nominated Shurer, who understands Southeast Asia itself is a diverse sub-continent and Disney did not want to generalise. “Just choosing where to go had a lot to do with the stories we wanted to tell, and with amazing people we met who hosted us in different places. We were lucky to go to quite a few places and then to keep those relationships going as we went into the film.”

    She continues that part of what struck the film’s team so much, and why they wanted to ground the film in Southeast Asia “was the incredible diversity that we encountered. Yet there’s this working together and this ability to set aside the differences within each country and the whole region and work together for the greater good.” Estrada agrees, recalling how production wanted to recreate the beauty of the sunsets of the Mekong as well as the sounds of the cicadas which they wanted to include at the beginning of the film.